Dalida, Orient to Paris. Collection Haute Couture Hiver 2026/27
There are places that transcend architecture. Places that become voices. Places where time does not fade away but settles, day after day, into the collective memory. Olympia is one of them.
This Haute Couture collection was born from that resonance. From a silhouette that has travelled through decades without ever disappearing. Dalida.
Not as an icon frozen in nostalgia, but as a living presence within our contemporary imagination. A woman whose elegance was never an artifice, but a way of inhabiting the world. An artist who transformed fragility into strength, melancholy into light, and emotion into a universal language.
Her story carries a singular cultural richness that continues to resonate today. Born in Cairo, in a cosmopolitan Egypt shaped by Mediterranean, Eastern, French and Italian influences, Dalida forged an artistic language that transcended borders. Her arrival in Paris marked the affirmation of a truly universal artist, capable of bringing different worlds together within a single emotion. This dual identity, between East and West, heritage and modernity, nourished her entire body of work and remains remarkably contemporary. Long before cultural diversity became a celebrated value, she embodied the circulation of sensibilities, aesthetics and imaginaries. Her elegance carried within it the richness of the world itself, transformed into an expression that was at once deeply personal and universally shared.
Through these thirty-three silhouettes, I sought to translate that rare tension between strength and vulnerability. That unique way great performers stood before an audience, exposed and invincible at once. That ability to create profound emotion through silence as much as through light. White dominates the collection like an unwritten page. Crêpe, gazar, chiffon, organza and satin compose an almost immaterial landscape, animated by air, light and movement. Volumes seem suspended between appearance and disappearance. Dresses become breaths. Capes become presences. Long pareos, coats and trapeze silhouettes create an allure that is free, sovereign and timeless.
The embroideries tell another story. Agates, crystals, diamonds, mother-of-pearl, porcelain and precious stones are never used as ornament alone, but as fragments of emotion. Every sparkle becomes a suspended note. Every reflection evokes a lingering phrase that continues to resonate long after the music has faded.
Olympia is never far away. It appears in the verticality of silhouettes moving towards the light, in the precision of gesture, in the almost magnetic presence of certain gowns. Each passage seems to narrate a moment of life. Some silhouettes unfold like melodies. Others like silences.
The collection also draws inspiration from the great lyricists of that era. The words of Jacques Brel and Léo Ferré, their unique ability to explore love, longing, desire, solitude and hope without ever surrendering to ease. A form of writing in which emotion is not an effect, but a truth. It is that sincerity I sought to capture.
The silhouettes evolve like chapters in a recital. The opening looks emerge in almost absolute light. Gradually, the materials gain density, embroideries multiply and volumes unfold. Deep reds, intense blacks and flashes of silver progressively enrich the narrative. As in a song, the emotion rises without ever losing its restraint. Dalida shared an extraordinary relationship with couture. She instinctively understood the power of clothing. Not as a symbol of status, but as an extension of emotion. The great couturiers who dressed her enhanced her presence without ever overshadowing it. That idea remains at the heart of my work: creating garments that reveal the individual rather than erase them. Through this collection, I am not seeking to recreate an era. I am seeking to recover a feeling. The feeling of an artist stepping alone onto a stage and filling the space with an intensity beyond words. The feeling of a woman whose grace seemed to emerge as much from her vulnerabilities as from her strength.
In a world saturated with instant images, Dalida remains a figure of timelessness. Her elegance, depth and humanity continue to converse with the present. She reminds us that modernity does not reside in speed, but in the ability to touch something universal.
This collection is dedicated to that permanence.
To beauty that survives time.
To emotion that never fades.
To the woman, the artist, the light.
To Dalida.
Credits:
PRODUCTION BY PIERRE MARTINEZ
HAIR BY JOHAN HELLSTRÖM @BJORN AXEN
MAKE UP BY BALTASAR GONZALEZ @MAC
Courtesy of Station Service
L'Opinionista © since 2008 - Fashion Press supplemento a L'Opinionista Giornale Online - tutti i diritti sono riservati
reg. trib. di Pescara n.08/08 - iscrizione al ROC n°1798 - P. iva 01873660680
Contatti - Redazione -
Pubblicita' - Notizie moda del giorno - Privacy - Cookie Policy
SOCIAL: Facebook - X - Instagram